Photo by Benjamin Ealovega

“... a pianist whose probing, incisive, and deeply considered performances are consistently challenging and rewarding.”

Upcoming Concerts

Calendar
Bulle, Switzerland
Jan 3
Bulle, Switzerland

Schubert ◦ Piano Trio No. 1 in B♭ Major, D. 898
Schubert ◦ Piano Trio No. 2 in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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CrissierArts Festival
Jan 4
CrissierArts Festival

Schubert ◦ Piano Trio No. 1 in B♭ Major, D. 898
Schubert ◦ Piano Trio No. 2 in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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Detroit, MI
Jan 16
Detroit, MI

Beethoven ◦ Piano Concerto No. 2 in B♭ Major, Op. 19

Detroit Symphony Orchestra
Delyana Lazarova, Conductor

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Detroit, MI
Jan 16
Detroit, MI

Beethoven ◦ Piano Concerto No. 2 in B♭ Major, Op. 19

Detroit Symphony Orchestra
Delyana Lazarova, Conductor

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Detroit, MI
Jan 17
Detroit, MI

Beethoven ◦ Piano Concerto No. 2 in B♭ Major, Op. 19

Detroit Symphony Orchestra
Delyana Lazarova, Conductor

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Utrecht, Netherlands
Jan 26
Utrecht, Netherlands

Schubert ◦ Piano Trio No. 1 in B♭ Major, D. 898
Schubert ◦ Piano Trio No. 2 in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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Mainz, Germany
Jan 27
Mainz, Germany

Schubert ◦ Piano Trio No. 1 in B♭ Major, D. 898
Schubert ◦ Piano Trio No. 2 in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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Bonn, Germany
Jan 28
Bonn, Germany

Schubert ◦ Notturno for Piano Trio in E♭ Major, D. 897
Schubert ◦ Fantasy in C Major for Violin and Piano, D. 934
Schubert ◦ Piano Trio in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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Mönchengladbach, Germany
Jan 29
Mönchengladbach, Germany

Schubert ◦ Notturno for Piano Trio in E♭ Major, D. 897
Schubert ◦ Fantasy in C Major for Violin and Piano, D. 934
Schubert ◦ Piano Trio in E♭ Major, D. 929

Midori, violin
Antoine Lederlin, cello

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Jonathan Discussion Perfectionism

In his latest piece for The New York Times, Jonathan examines the false lure of perfection, and how it is the enemy of art and innovation.

Read it here

“Beethoven’s personal life may have been short on joy, but listening to Jonathan Biss leaves one feeling grateful that he was able to discover it in composing.”

Instagram Posts

View fullsize One of the best parts of my fall was returning to Beethoven’s final three sonatas after several years. On Wednesday, as part of a residency at the Kaufman Music Center, I’ll be giving a lecture on the sonatas in Merkin Hall. There’s
View fullsize My latest essay in the New York Times is about the false lure of perfection, and how it is the enemy of art and innovation. This is personal to me: I have felt that lure my whole life, and have to constantly remind myself that it prevents me from b
View fullsize Playing the last three Beethoven sonatas is an experience under any circumstances; playing them in the Théâtre des Champs-Elysées, whose extraordinary history is an almost physical presence in the building, was unforgettable. I&r
View fullsize Beethoven’s G Major is more than just a concerto. It has an intimacy and a poetry that set it apart, in spite of its immense power. It means everything to me, and it’s so gratifying to know that this performance is resonating with people
View fullsize Beethoven’s last three sonatas at the Théâtre des Champs-Élysées
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View fullsize Beethoven/5 Vol. 4 is out now on @orchidmusicgroup featuring Beethoven's Piano Concerto No.4 in G Major and Salvatore Sciarrino's Il Sogno di Stradella. You can find where to stream/download the album and read the full review at the link in my bio!
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View fullsize New Yorkers! On Thursday, I will be playing a benefit for the @aclu_nationwide and @nyclu at the beautiful home of Simon Yates and Kevin Roon. As this is a fundraiser, I’m afraid tickets are expensive. But it’s a rare opportunity to hear
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View fullsize My latest piece for The New York Times is about musical immersion: how profoundly rewarding it can be, and how difficult our modern world makes it to achieve. (Stay tuned for a director’s cut on my Substack in the coming weeks. This subject
View fullsize The view from the piano in beautiful Mackey Auditorium in Boulder, Colorado. Don’t ask me why, but those autumnal colors feel fitting for Brahms Second Piano Concerto, which I’m playing tomorrow with the @boulderphil and Michael Butterman

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